Inside the Artist’s Studio: Our Visit to CoCo Artist Michael M.’s Workshop

CoCo Artist Michael M’s studio is almost a visual rush of personal experiences.  Everywhere you look is an example of collaborative commissions – with his team, Michael takes anything and everything and transforms it into fine art through a wax overlay.  Whether it be old clothes, ticket stubs, programs – literally anything – it becomes part and parcel of a mixed media artwork, such as a portrait of a child, a depiction of a pet, or a meaningful landscape.   Read on to learn more about the backdrop of this very personal and unique style of art.

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Brooklyn, by Michael M.

CoCo: How would you describe your work?

Michael: I would classify my work as contemporary, at times bordering on pop-art.  More than anything the work is 100% process based.  As an artist I am extremely calculated and have every step of the process mapped out prior to production.  With great attention to detail I feel you provide the collector with a very finished product as well as a beautiful piece of fine art. 

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Michael, as an artist, focuses solely on commissions now.

CoCo: You used to be in finance. Tell us how your life is different now.

Michael: Finance was always something that served as a means to an end but was never emotionally rewarding.  As so many people know, it is so easy to get caught up in the "Rat Race" and sometimes place what is truly important in life on the backburner.  By refocusing life on my two passions, art and family, I can honestly say that I feel an emotional success that I don't feel was possible in my past life.  

CoCo: Tell us about your space.  What about it works well with what you do?  

Michael: When my daughter Charlie was three years old, I asked her what I should name my studio and she very innocently said, "My Life."  This is a space that was created to do art...YES, but to do art and have the ability to be with my children.  It's through interactions with my children that my personal style and approach have evolved into something much deeper.  My Life studio does commissions now, focusing on creating a depth of emotion and memory to a fine art piece. It is extremely important that everyone that walks into this space, feels the connectivity as well as the innocence that this studio was so thoughtfully named.

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Michael M.'s daughter, Charlie, aptly named his studio "My Life" and he has modeled the space as an area to both create art and interact with his children.

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After a career in finance, Michael M. refocused his life on his two passions: art and family. 

CoCo: Do you have any personal “rituals” that help you with your work?

Michael: I wouldn't say that I have a particular ritual but I do try to draw inspiration from the materials at hand.  I will always have a few pieces going at any one time ranging from personal pieces for an exhibit or commissions.  After dinner and getting our girls to bed, I return to the studio at night in order to complete any unfinished tasks from that day.  It is often at that hour that I will take a step back and see what works-in-progress are screaming my name.  It's not the best thing for a good night sleep but I find myself focusing on that unfinished piece and come up with some really great solutions to be excited about first thing in the morning.

CoCo: What is the best part of what you do or the best part of your day?

Michael: I constantly find myself comparing my life now to what I was doing in the world of finance.  Before, my focus was on my clients and building a business.  I felt my priorities were completely upside down.  I now get to wake up to my amazing little girls, (sometimes) take our time getting to school and focus on our own little world.  After saying goodbye to my family, I get to head down to my art studio.  I could tell you that it's the ability to create what I love most about the studio, but its not.  My favorite part of the day, is when I open the door and turn on the lights.  My Life, is a great Life!

Feeling inspired? See more work by Michael M. below.

Her Constant

Equine

Coco

Commission Spotlight: Ganesha

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Ganesha, by Laura S.

When Vijay and Kalyani bought their home near Los Angeles, they worked with a designer to make sure their own personal style came through their choice of furnishings.  They had a unique idea for a 70”X30” painting in their foyer, which had to be customized.  CoCo Gallery artist Laura S. teamed up with the couple and their designer to bring their vision to life.  Here’s how it all happened.

CoCo: What was the inspiration for your commission? 

Our wedding invitation had a very modern representation of the Hindu god Ganesha, who stands for new beginnings and good luck.  When we bought our new home, I thought that customizing a work of art around that special day in our life would be a great way to commemorate our space.  We immediately thought that the symbol of Ganesha, rendered precisely the way it was on our wedding invitation but on a large wooden panel, would be the perfect thing.

CoCo: Why did you choose that particular CoCo Artist?

We felt like the artist really understood what we wanted to achieve and how we wanted our end product to look like. She had even done some of her own research on the subject (about the significance of Ganesha in Hinduism) before we talked to her the first time. I knew she could deliver on our vision because she was so willing to work with us.  She also gave us some advice on colors that would work best and types of materials to use.

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This digital rendering was done by the couple's designer and gave CoCo Artist, Laura S., an understanding of their vision.

CoCo: Were you nervous about anything going into commissioning? 

I think Laura understood us very well and made a huge effort to make us feel comfortable.  During our first Skype conversation, we took her on a tour of our home so that she understood our taste a little bit as well. During the sketching process, she even presented four mini-paintings with different background colors/textures so that she could better understand our preferences in this regard. In the end, the painting was even better than what I had expected it to be.

CoCo: What aspects of CoCo’s services were most valuable in your commission process?

CoCo Gallery was invaluable in helping us choose Laura as an artist.  We had originally liked the style of another artist, but our consultant suggested that this piece was less about style and more about technique since the artist had to use silver foil and we had a very clear vision for the painting.  She made it so easy to correspond with the artist, and she made sure that each side was being understood properly. All of that helped us feel extremely comfortable in the process.

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The commission is now the first thing guests see when they enter Vijay and Kalyani's home.

CoCo: Where is your commission now (where does it hang)?

It is the first thing someone sees when they walk into our home – a perfect way to welcome everyone!

Feeling inspired? See more work by Laura S. below.

Homeland

Puppet Show

Palma

Commission Spotlight: NYC in Motion

For years, Eva and Anton had been searching for the perfect representation of their experience as ex-pats in New York City.  To them, the most special thing about NYC was the energy within, without, and all around it.  It’s this energy that has been the backdrop of their growing family’s life here.

When the couple came across CoCo Gallery and Piero M.’s work, they knew they had finally found the artist who could visually express their feelings about the city.  So many of Piero’s works have bursts of color and complex texture that signified rapid movement city’s everlasting vigor.  Thus, their commission began.

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NYC in Motion, by Piero M. 

Request: The couple wanted the skyline, from downtown to midtown, depicted with the water and bridges prominently featured as well.  Eva’s vision included small details – the presence of a cab, people, and bike riders, things that would help display the perpetually stirring nature of the city. 

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Piero M. quickly produced a digital rendering to hightlight for Eva and Anton the most important aspects of the painting. 

Initial Rendering: Piero quickly produced a digital rendering that helped highlight the most important aspects of the painting, to give the couple an impression of the final product.  One of the defining aspects of Piero’s paintings is that each contains a section of improvisational multi-colored texture, which allows the painting to go into the abstract.  The rendering simply cannot shed light on this aspect of the painter’s style.  Piero made sure that Eva and Anton would be okay with embracing the unpredictability that came with this part of his painting in its final form.  Once the couple was on board, Piero got to work with acrylics on canvas.

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Piero M. added more color per Eva and Anton's request to the sky and water. 

Check-in, Feedback, and Final: Within one week, Piero was almost done with the painting and he sent the couple a photo of the progress.  They were overjoyed, but there was just one thing missing in their minds.  It lacked a certain brightness; it didn’t convey the overall feeling of contentment they had living in the city.  Piero knew just what would flip the switch – he added a touch of color to the sky and water.  That did it.  It now happily hangs on top of Eva and Anton’s living room couch, and it is set to accompany them on their upcoming move out of the city.

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The final painting now hangs above Eva and Anton's living room couch. 

Brushstrokes: Interview with CoCo Artist Patrick L.

New to the CoCo Artist network is Patrick L.  His work uniquely spans florals, birds, and a range of other objects, like cars, for example.  The common element among all of them is the incorporation of collage from vintage sources.  Check out our brief, but enlightening chat with Patrick:

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Flowered Tom and Jerry, by Patrick L. 

CoCo: What inspired you to become an artist?

Patrick: I have been an artist as long as I can remember. Specifically I fell in love with art in the fourth grade as well as with my art teacher Miss Gallo. It was love at first site on both accounts! I also remember my love of objects, antiques, and anything vintage. I eventually graduated with a Masters Degree from the San Francisco Art Institute in Lithography.

CoCo: How would you describe your artwork?

Patrick: My work is rich with color and nuanced with a surface quality that is engaging. My love of paper, surface and collage continues to this day.

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Library or studio? Patrick L. draws inspiration from literature. 

CoCo: What type of media do you use and why?

Patrick: In my Seattle Studio, my images room surrounds me with hundreds of books and cuttings from pages of history books from various cultures, erotica from the Kama Sutra, original letters and journals, encyclopedias, old children’s books, and vintage wall paper. I am intrigued with the past and the associations that can be made with aged surfaces and vintage ephemera.  My technique is to combine paint with collaged ephemera from these sources.

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Patrick L. incorporates collage from vintage sources in his work, which is evident in his eclectic studio. 

CoCo: What is your favorite thing about doing a commission?

Patrick: I love working on commissions, I love the challenge of being given a project to create what matches the client’s ideas and desires with my own creative vision.  What is unique in my work is I am able to combine pictures or collage elements that the client provides of their family, memories and significant events and I incorporate them in a lasting work of art for them.   I also have produced large-scale paintings for restaurants, hotels, hospitals, law offices, and ten years for major department stores nationally.

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Patrick L. enjoys matching the client's desires with his own creative vision.

CoCo: Tell us about one of your favorite commissions.

Patrick: One of my favorites is a client’s house, depicted as a cake.  The client was a professional baker, and to make it personal, the windows of the house have family photos collaged in them.  Another was for a client's wedding anniversary; she wanted two florals with an Italian background, and images of The Kamasutra collaged into the flowers.

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A commission by Patrick L. that uses original family photos in the windows. 

Commission Spotlight: Salkantay Trail

Bay area resident, Deepika, recently commissioned a special work as a surprise for her husband. She chose CoCo Artist Justin C., an abstract figurative artist who is from New York City but works out of Norway.  Here’s a little bit about how her commission played out.

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Salkantay Trail, by Justin C. 

CoCo: What was the inspiration for your commission?  What were you looking to do?

Deepika: My husband and I had gone on a trip to Peru the year before and it was a very important trip for us as it was a celebration of success, on many fronts, for us both. Unfortunately, I lost my phone at the end of a 5-day trek in the Andes and lost all the photos. But then I stumbled upon CoCo Gallery. I figured that commissioning a painting was an excellent opportunity to give shape and form to a memory that only existed in our minds. Plus, it would be a great way to buy our first painting. Our wedding anniversary was coming up so I immediately jumped on the idea! 

CoCo: Why did you choose that particular CoCo Artist?

Deepika: Of the three artists that my CoCo Consultant shared, I found Justin C. to have the style that spoke to me. I saw his painting titled Ugruk and knew that he was kind of free spirited in his expression and that's the kind of feeling I remember having when I was in Peru, so I felt he would be the right artist to bring my memory to life. I did have a second option in mind, but CoCo helped me zero-in on my top choice. 

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Ugruk, by Justin C. 

CoCo: What do you remember about your first conversation with the artist?

Deepika: Our first conversation felt like he was really listening, he had looked at the materials I had shared earlier. He sounded really sweet and accommodating too. I felt comfortable having him use his imagination to create the painting I had in mind. 

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Justin C. adjusted the initial sketch because Deepika wanted to show her husband helping her cross the stream. 

CoCo: Were you nervous about anything going into commissioning?  Were your concerns allayed and how?

Deepika: I tend to be very verbose and detailed in my descriptions of what I am looking for. I was worried if I had left little room for Justin to express himself. CoCo’s guidance on how much direction to give to artists was helpful.

CoCo: If you had a very particular idea in your head of what it would look like, how did the painting turn out differently than that?

Deepika: The painting turned out very similar to what I had expected. I didn't realize how layered/textured the painting would be, so when it arrived and I saw how it looked up close, I was pleasantly surprised. I like that about it.

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Justin C. eventually altered the painting to give it a more impressionistic feel per Deepika's request. 

CoCo: What aspects of CoCo’s services were most valuable in your commission process?

Deepika: Help in choosing the artist from a shortlist and also in understanding how to provide input to the artist in the most productive way.

CoCo: Where is your commission now (where does it hang)?

Deepika: It's hanging in our bedroom! 

Brushstrokes: Interview with CoCo Artist, Galen C.

Despite living in rural Vermont, CoCo Artist Galen C.’s paintings reflect the energy of the urban environment.  As we interviewed Galen about her abstract paintings, she described just exactly what goes into creating unabashedly strong works worthy of making a statement in any setting.

Galen in her studio.

CoCo: How would you describe your artwork?

Galen: I would describe my work as process-driven abstraction.  My work moves forward through the investigation of materials and processes.  It is physical, visceral, and visually compelling.

Artwork by Galen C.

CoCo: What inspired you to become an artist?

Galen: I’m pretty sure I was just born that way.  However, I did get the message from my mother at a very young age that being an artist was not only valid, but also important.

Galen in her studio.

CoCo: Who is your art for?  What type of person are you speaking to?

Galen: People who appreciate my work are those who embrace the imaginative qualities of abstract painting.  They like the experience and pleasure of seeing something original and of bringing their own interpretation to the work.

Artwork by Galen C. 

CoCo: What does your work of art bring to its environment?

Galen: I only allow my best work to leave my studio.  I do this, in part, because I want my paintings to have integrity and enduring appeal; I want them to stand the test of time and continue to unfold and reveal themselves to the viewer over the years.  If I’ve done my job, my paintings will enrich and transform any environment in which they are placed.

Artwork by Galen C. 

CoCo: What is the most important part of the artistic/creative process for you?

Galen: The most important part of my artistic process is that I be present and open to what is happening in the moment.  While I bring many years of painting experience with me into the studio, every painting is unique and has its own story to tell.  It is crucial that I am quiet and vulnerable enough to be able to listen and allow that new painting to push forward.

Artwork by Galen C. 

CoCo: What type of media do you use and why?

Galen: I am currently working with three distinct media.  I continue and will always work with basic oil on canvas or panel, as it is a rich and versatile material.  I am also working on ink on paper constructions, which I began during a recent art residency in China.  The third area of interest for me, which is also inspired by the work I began in China, is collaged paintings.  These works involve cutting and ripping existing paintings and reassembling them into new works of art.  It is a dynamic and endlessly interesting process.

Take a girl to China, by Galen C. 

CoCo: Tell us about an interesting piece that you have displayed in your own home?  Where exactly is it, and why is it there?

Galen: I have one spot in my living room that serves as a viewing spot for paintings that I have recently finished.  Hanging new work and living with it for a while allows me to know whether or not it is really finished.  Sometimes it takes looking at a painting for a while to know for sure.

Artwork by Galen C. 

CoCo: What is your favorite thing about doing a commission?

Galen: It is a great thing to create a work of art in collaboration with people who have are fans of my work and who have a vision and passion to work together.  It is extremely rewarding to place a painting with people who love it and who were instrumental in its creation.

Brushstrokes: Interview with CoCo Artist Nick L.

CoCo Artist Nick L. approaches his subject matter primarily through abstraction — to evoke rather than illustrate the intersections of society and nature. His works organically creating diagrammatic structures and planes of flat color reminiscent of the built environment. Commissioning a big, striking work by him would be perfect to fill in that large empty wall in your home, especially because his colors and lines will definitely bring together all your aesthetic preferences. We interviewed him before Affordable Art Fair NYC where he painted in front of a live audience.

CoCo: How would you describe your artwork?
Nick: My artwork ranges widely in subject matter and medium, from completely abstract oil paintings, to highly rendered realistic graphite drawings, to multi-media installation art. The constant that ties everything together is my interest in the natural world and the connections between society and nature. All of my work, whether abstract or representational, relates in some way to my experience of the real world…in other words, whether there is a recognizable reference in a work or not, my inspiration for the things I make always comes from actual experience.

CoCo: Tell us about your training as an artist.
Nick: I’ve always kept a sketchbook, even as a young kid. But art was never a part of my academic life until after college. I was an environmental science and biology major. After graduating, I spent several years living in the wilderness of the Sierra Nevada where I taught ecology and geology for the Yosemite Institute. It was during that period living in the mountains that I decided to put all my energy into my artwork and to make it my life pursuit. I moved to New York in 1996 and attended the New York Studio School for a couple years while I built a portfolio that I needed to apply to graduate school. I wanted to study with the British painter John Walker, and was fortunate to be accepted into his graduate program at Boston University. I finished an MFA in painting there in 2000 and then returned to NYC where I’ve lived and worked ever since.

CoCo: Describe one of your favorite collectors/clients.
Nick: My favorite collectors are people who were initially drawn to my artwork on its aesthetic merits alone, but with whom I’ve also developed strong friendships over time. As we get to know one another more and more, they trust in what I do, regardless of style or subject matter. It is fantastic to know I have the enthusiasm and support of sharp-eyed, intelligent and informed people who are interested in each new stage of my development as an artist. 

Coyote; 60"x70", oil on canvas

CoCo: What does your work of art bring to its environment?
Nick: I strive to make my artwork interesting and dramatic enough to catch people’s attention, but it is also important to me that, once they look at it, it also inspires them to think more deeply about the world around them. Put simply, my artwork doesn’t pass muster until it has both graphic punch and deeper evocative appeal.

CoCo: What type of media do you use and why?
Nick: I use all kinds of media and techniques, often mixing them in unconventional ways. I believe that being open to all possibilities of expression, especially modes that are unfamiliar to me, can be an important key to unlocking new imagery and new creative territory.

Image courtesy AAF NYC

Coco: What are you working on now?
Nick: I’m having a fantastic time doing live drawings at the Affordable Art Fair in New York City. I’ve never worked in front of a crowd this way and the performative aspect of the experience has been fun and invigorating.

CoCo: What is your favorite thing about doing a commission?
Nick: I love the collaborative aspect of working on commissions. It is thrilling to meet with clients, see the space for which they envision an artwork and then work together with them to come up with something that excites them as much as it does me.

CoCo: Tell us about your favorite commission.
Nick: It’s difficult to single out one commission as a favorite above all others, but one of the most exciting commissioning experiences I’ve had was working on some site-specific works for the lobby and media room at Richard Meier building at Grand Army plaza in Brooklyn. It was fantastic to respond to his architecture and to speak with the enthusiastic building residents who came through the space over the course of the painting and installation process.

If you are interested in learning more about Nick's work, contact info@cocogallery.net

Brushstrokes: Interview with CoCo Artist Laura G.

Today, we would like to share our chat with CoCo Artist Laura G. Her abstract depictions of the infinite sky transport viewers to a place of meditative serenity. They tend to provide a window to the beyond, especially in closed settings like long hallways and dark rooms. And yet, they also expand large environments, when natural light reflects upon them. Meet Laura.

CoCo Artist Laura G. in her studio.

CoCo: How would you describe your artwork?
Laura: I paint large-scale atmospheric oil paintings. As an artist, I strive to transport the viewer to a more peaceful dreamlike setting. In this hectic fast-paced world, it is my hope that the viewer will experience a moment of tranquility when viewing my work. 

CoCo: What inspired you to become an artist?
Laura: I was inspired to become an artist because I found a sense of serenity while I was painting. I think I am my happiest whenever I am creating. I was also fortunate as a child to visit art museums whenever my family took vacations and I remember feeling such a sense of awe staring at wonderful works of art. There was something very powerful about viewing famous pieces of art in person. It left quite an impression on me at a young age.

CoCo: Describe one of your favorite clients.
Laura: One of my favorite clients was Children’s Hospital in Aurora, Colorado. I got to visit the hospital and meet some of the patients. They were such sweet kids and so excited about art in general. I love when I’m able to see where my work will “live” and meet the people who will experience it on a daily basis.

CoCo: What does your work bring to its environment?
Laura: My paintings bring a sense of calm and peace to its environment as well as a burst of color. I like to think of my paintings as windows, looking out onto another world.

CoCo: What is your artistic process?
Laura: I start a painting usually with an image in my mind or a feeling I want to communicate. My paintings are places of my imagination. I find my work the most honest and authentic when I create from a feeling or an image in my mind’s eye.

CoCo: What is your favorite piece?
Laura: My favorite piece changes quite often but my current favorite is “Ciel Colorado.” I have really loved working with shades of lavender, purple, blues and greys lately. I love the understated palette; it feels so soothing to me.

Ciel Colorado, 44"x72", oil

CoCo: What is your favorite thing about doing a commission?
Laura: My favorite thing about commissions is that it is a true collaboration between the client and myself. I love creating something unique and specific to one client. It is fun to have an ongoing dialog with the client about what they envision and then bringing those ideas to life.

If you are interested in collaborating with Laura G., please contact us at info@cocogallery.net. We're happy to share more information about Laura and more of her artwork with you.